Saturday
6
June
to
Friday
3
July
2009
Broadside and broadsheet exhibition to complement Broadsheet Ballads, a promenade theatre experience by Occam's Razor Theatre Company and St Bride Foundation
Monday
26
October
to
Friday
13
November
2009
Talk and exhibition about the work of a printer in Marylebone
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Current event
Breathing Broadsheets
- 6 June – 3 July 2009
- At St Bride Library
- Admission is free; please call ahead to check availability
Broadsides and broadsheets were a cheap and plentiful source of entertainment and information for ordinary people in the 19th century. Their typography was typically archaic and and the illustrations, sometimes apparently dating from a good century earlier, were often re-used time and again. Printed crudely on poor quality paper and with a short lifetime anticipated, the survivals reward visual study and moreover provide a window into British life and popular culture in the 1800s. This exhibition is a rare opportunity to see some of the broadsides in the Library’s collection.
The exhibition complements Broadsheet Ballads, a promenade theatre experience by Occam’s Razor Theatre Company and St Bride Foundation that was inspired by the Library’s collection and contributes to the Story of London Festival.
October 2009
Late letterpress: the work of Desmond Jeffery
- Exhibition at St Bride Library
- Monday 26th October – Friday 13th November 2009
- In the Exhibition Room, St Bride Foundation
- Admission free
- Evening talk
- Tuesday 27 October 2009 at 7pm
- In the Bridewell Hall, St Bride Foundation
- Admission £7 · concessions £5 · Friends of St Bride £3
- Pay on the door
As a direct and elegant means of putting words on paper, letterpress remained vigourous until the end of its useful life about forty years ago. In 1950 the power of this unmediated route from original text to printed sheet caught the imagination of a young returning serviceman, Desmond Jeffery. He saw in the work of Anthony Froshaug what could be done with hand-set letterpress. Unlike Froshaug, for whom it was a matrix upon which to develop a design programme, for Desmond the practice was the programme. He equipped himself with an Adana, an Albion and a collection of foundry types, most of them imported, then in 1956 took over a jobbing letterpress workshop in Marylebone, where he installed a Heidelberg platen. Customers ranged from the Stevens Shanks foundry to Mayfair galleries, the Goldsmiths’ Company to the Partisan coffee house. This is the first public exhibition of his work.
In a talk on 27 October, James Mosley, Paul Stiff and Professor Ian McLaren will contribute personal views of Desmond and his work, to be followed by discussion with other speakers.
