Cybersex-text
 
Cybersex
-text

Trudy Barber
©2002

University of Kent@Canterbury

 

The Internet and Computer Mediated Communications (CMCs) have radically changed the way we view, read, and interact with text.

The website, with its foundation of animated, interactive and exciting imagery enables the projection of identity through font choice, animation settings, colour and interactive imagery.

Some specific websites enable the computer user to become sexually involved with text-as-sexual-identity and text itself becomes interpreted as sexual space and signifier.

Cyberspace is an electronic projection of the self, using primarily two technologies.

1:Virtual Reality via Immersion body suits and head mounted displays (HMD): A three dimensional computer projected interaction enabler. Representations such as avatars of the self can be viewed, experienced and manipulated. Feedback can be akin to a hallucinatory experience.

2:The Internet via the Personal Computer (PC): A graphic user interface (GUI). A catalyst that enables global communications, not necessarily requiring the authentic identity of the user. Representations of the self can be psychically manipulated through image and text.

THE COLLAPSE OF SPACE AND TIME
Virtual reality and communications technology enables us to examine 'our very sense of reality' (Heim 1993:59)
What is a transgressive reading of technological determinism?
This involves looking at how people have used  technology in a way that it was not originally intended for, since the Enlightenment period and including the Industrial Revolution.
The autonomous sexualising of technology.
TECHNO-FETISHISM
Notions of 'otherness' introduced by new technologies like the telegraph enabled people to experience new alternate psychical spaces. People in Europe and America could experience the sense of otherness through travel, and express and describe their experiences by using the telegraph. Those who remained at home in turn translated those experiences through a projection of the imagination. Stories of a romantic and sexual nature resulted, for example a popular novel written by Ella Cheever Thayer, entitled Wired Love: a romance of dots and dashes in 1880. This novel used the oldest form of human communication, that of love and sexuality, expressed through the vehicle of the most contemporary form of technological communications of the time. The motto at the front of the book reads:
' "The old, old story," - in a new, new way".'
Ms Cheever Thayer was not in doubt of the intense power and transgressive sexual potential of new technologies. She had recognised an exciting alternative use of the telegraph. In the following excerpt from her novel, Cheever Thayer unknowingly writes an early-romanticised description of the telegraph that could also be a description of a later invention, the Internet.
Miss Nattie Rogers, telegraph operator, lived, as it were, in two worlds. The one her office, dingy and curtailed as to proportions, but from whence she could wander away, through the medium of that slender telegraph wire, on a sort of electric wings, to distant cities and towns; where, although alone all day, she did not lack social intercourse, and where she could amuse herself if she chose, by listening to and speculating upon the many messages of joy or of sorrow, of business and of pleasure, constantly going over the wire.' (Cheever Thayer 1880: 25)
'With the mind-boggling multiplication of media technologies in the twentieth century (not to mention what we are likely to witness in the twenty-first), it becomes imperative, in institutions of higher learning especially, to understand the multiple capacities of subjects constituted by various media, instead of blindly and repeatedly insisting that only one media - the book - and only one set of cultural skills - the imagination or rationality - deserves recognition as intelligence.'
(Poster 2001:84)
Wearable Informatics
Augmented Reality
Find out for yourself!

The Magic Book
Minority Report
.

Find out for yourself!

Tele-immersion
Head up displays.

THE BOOK IS NOT YET DEAD!
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