Monday
12
to
Friday
30
January
2009
Exhibition and illustrated talk showcasing the book design and production practices of five London-based little presses
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January 2009
‘Short run’:
experimental book design & London’s little presses.
Exhibition and talk in January 2009
- Exhibition 12–30 January 2009; admission free. (See our opening times)
- Talk 15 January 7.00pm (with exhibition open from 6.00pm)
Admission £7 · concessions £5 · Friends of St Bride £3
Pay on the door
Little presses are not Miniature Big Presses. Nor is the word ‘Little’ a term of endearment. [...] The difference between Little Presses and Big Presses
is not in their respective sizes, nor in their loveability [sic], but in the
Minds that are behind them. [...] Both minds may be most magnificent,
but they start working from two opposite ends. A really Big Press Mind
starts with Market Research. [...] The Minds behind Little Presses work in
a different way. [...] They start with a Thought.
Stefan Themerson, ‘Introduction’ to the Catalogue of little press books in print
published in the United Kingdom, 1974
‘Short run’: experimental book design & London’s little presses is an exhibition
and illustrated talk showcasing the book design and production practices of five
London-based little presses: Stuart Montgomery’s Fulcrum Press, Stefan and
Franciszka Themerson’s Gaberbocchus Press, Roy Lewis’s Keepsake Press, Asa
Benveniste’s Trigram Press, and Bob Cobbing’s Writers Forum. This exhibition
focuses on the heyday of little press publishing in London (1945–1979), from the
end of World War 2 to the beginning of Thatcher’s government.
An important aspect of little press publishing was each publisher’s direct
involvement in the design and production of their books. The design approach
of a press was largely dependent on the publisher’s available resources and
connections that contributed to the unique identity of the imprints. With little
presses, production was an integral aspect of design, and design decisions were
directly linked to available production processes and materials. Pursuing low-cost
options, little press publishers were inventive in their methods of adding value to
books by using coloured papers, alternative forms of lettering and experimental
printing techniques.
Each of the five little presses featured in this exhibition had a unique approach to
publishing and was run in a distinct, individual manner based on the publisher’s
personality and agenda. The exhibition shows how this was reflected in the design
and production of the books they published.
The exhibition features a variety of rarely seen artefacts from private archives and
collections. First editions, photographs, artwork, correspondence, layout sketches
and illustrations allow us to gain a true understanding of the nature of book
design and production of little presses in this post-WW2 period.
The exhibition is curated by Rathna Ramanathan. Rathna is a graphic designer
and lecturer from Chennai, India now based in London. The exhibition is based
on Rathna’s PhD in the History of Graphic Communication and Typography from
the University of Reading.
A practising designer, Rathna has her own studio minus9 and splits her time
between India and the UK. Her clients include BBC World Service, World
Bank and Tara Books. Her work has received a number of international
design awards.
Rathna has taught design and typography in India and currently teaches at
Central Saint Martins on the BA and MA programmes. She is the Secretary of the
Printing Historical Society and ATypI’s Delegate for India.